Monday, August 14, 2006

An additional round of new photos of a recuperating Fidel Castro have been published in the Cuban media. There has been international speculation on the state of the Cuban leader’s health since he temporarily relinquished power two weeks ago prior to undergoing intestinal surgery. Castro had not been seen in those two weeks, and there were rumours that he was dead or nearing death.

The official Communist Party daily Granma today published pictures of Castro meeting Venezuelan president Hugo Chavez on the Cuban leader’s 80th birthday, yesterday. The paper referred to the meeting as “three hours of emotional exchange” quoting Chavez as saying “This is the best visit I’ve ever had in my life.” Earlier, acting Cuban leader Raul Castro made his first public appearance since taking power when he welcomed Chavez to Cuba at the airport. The brothers also appear together in one of the new photos.

The earlier round of pictures released Sunday by the Juventud Rebelde (Rebel Youth) newspaper show Castro speaking on the phone and holding Saturday’s edition of the Communist Party newspaper Granma.

Castro also released a statement yesterday saying that his health had improved but that his recovery would take more time.

“To say that objective stability has improved considerably is not to invent a lie. To affirm that the period of recovery will last a short time and that there is no longer any risk would be absolutely incorrect.”

“I ask you all to be optimistic and at the same time to be ready to face any adverse news,” said Castro, who also thanked the Cuban people for their love and support during his health crisis. The statement was the first from the Cuban leader since undergoing surgery.

Granma reported Saturday that Castro is now “up” and “working”. The official newspaper reported that according to an unnamed friend of Castro “the leader of the revolution, after receiving some physiotherapy, took his first steps in the room, then, sitting on a coach, talked vividly”.

Though most official celebrations of Castro’s birthday have been postponed (possibly until December), three thousand well-wishers have gathered for a five-hour birthday concert on Havana’s Malecon seafront boulevard.

Friday, September 24, 2010

People in American Samoa were given only eight minutes warning that a tsunami, which killed 32 people in the unincorporated territory, resulting from the 2009 Samoa earthquake, was approaching. A report published by the United States Congress admits that the warning was issued sixteen minutes after the 8.0 magnitude earthquake struck Samoa. The tsunami killed nearly 200 people in American Samoa, Samoa and Tonga.

The report, written by the National Research Council, describes the length of time between the earthquake and the initial tsunami warning being issued as “relatively long”, and states that the standard time for such a warning to be issued to be around two minutes. The study also revealed that one third of tsunami sensors are not working at any given time.

John Orcutt, a [seismologist and head of the committee that wrote the report, described the delay as a “major concern”, but he also said that “a large number of people” in American Samoa “didn’t understand and there were lives that were lost because people simply didn’t take the action to get away from the shore when they felt this huge earthquake. People have to understand the signs of a tsunami and head to higher ground.”

The Federal Emergency Management Agency, whose purpose is to coordinate the response to a disaster that has occurred in the United States and that overwhelms the resources of local and state authorities, and the Government of American Samoa did not respond to e-mails regarding the news.

The study also notes that people living in other coastal cities around the world are at risk of being unprepared for tsunamis that arrive soon after the earthquake occurs, stating that in many places, warnings might not be issued in time. “If the source were so close to shore that only minutes were available before the tsunami reached the coast, the public would need to recognize natural [signs of a tsunami approaching].” The report states that when they fear a tsunami is imminent, people should know to evacuate even “without official warnings.”

The report warns that because tsunamis are so rare, people living near the coast do not know what to do, but it also criticises authorities for not informing citizens of how to react when a tsunami is approaching. “Everybody thought that the tsunami was a single wave, and once the expected landfall time came and left, they thought it was over,” said Costas Synolakis, who is director of the Tsunami Research Center at the University of Southern California, and one of the report’s authors. He continued, “In fact, tsunamis are a series of waves that can last for three to four hours.”

He said that the United States must take action, training first responders in low-lying coastal areas, and adding more tsunami sensors to give advance warning of approaching waves. Synolakis added that, after receiving warning that there may have been a tsunami on the way after the Chile earthquake earlier this year, the response of firefighters at the Port of Los Angeles was poor because they were unfamiliar with how to deal with such a threat.

In the capital of American Samoa, Pago Pago, the tsunami measured 1.57 meters in height. The superintendent of the National Park of American Samoa Mike Reynolds reported four waves as high as six meters. People who experienced the quake said it was long, lasting from 90 seconds to three minutes. “Pago Pago city streets were strewn with overturned vehicles, cars, and debris. Some buildings located only slightly above sea level were completely destroyed by the waves, and power in some locations is not expected to be restored for up to a month,” Wikinews reported at the time.

Didi Afuafi, 28, who was riding on a bus in American Samoa when the tsunami struck, described her experiences. “I was scared. I was shocked. All the people on the bus were screaming, crying and trying to call their homes. We couldn’t get on cell phones. The phones just died on us. It was just crazy,” she said. “This is going to be talked about for generations.” U.S. President Barack Obama said of the disaster: “My deepest sympathies are with the families who lost loved ones and many people who have been affected by the earthquake and the tsunami.”

The people of American Samoa will, next Wednesday, according to a press release by the government, “hold island-wide services to honor the memories of the 34 loved ones who lost their lives” during the tsunami. Church services will be held at 6:00 a.m., followed at 6:48 a.m.—the time when the earthquake occured—thirty-two bells will be rung in memory of those who perished.

Thursday, June 5, 2008

Nearly 20,000 websites have been attacked by unknown malicious computer users using a technique known as an SQL injection. The attackers have inserted code to install malware onto visitors’ computers. The code exploits a newly-discovered weakness in Adobe Flash Player, a very common web-browser plugin. The attacks prompted an investigation by the Taiwanese information security industry into the source of these attacks.

An SQL injection is a common method employed by malicious users to attack and deface websites, arising from website mistakes in checking user input. Attackers take advantage of these weaknesses to inject information of their choosing into the website. For example, in June of 2007, Microsoft UK found its webpage changed to a picture of the Saudi Arabia flag, an attack which was carried out using an SQL injection.

According to SecurityFocus, this most recent series of attacks stems from a vulnerability in versions 9.0.115.0 and 9.0.124.0 of Flash Player. It allows attackers to load any code they wish onto a computer running these versions of Flash.

As the vulnerability in Flash is newly discovered, Adobe has not yet released a newer version which fixes the problem. For the time being, computer security experts recommend that internet users with one of the unprotected versions of Flash disable the plug-in on Mozilla Firefox or Internet Explorer to prevent malicious users from gaining control over their computers.

The most recent version of the Flash Player, version 9.0.124.0, does not appear to be vulnerable to this exploit.

Saturday, September 6, 2008

Japan’s Prime Minister Yasuo Fukuda on Monday announced his intention to resign, one month after he reshuffled his cabinet. At a press conference held from 9:30 p.m. Fukuda stated that he decided to resign, thinking the government should implement policies with a new line-up. The cabinet will resign en masse and a new prime minister will be designated. Before that, the ruling Liberal Democratic Party (LDP) will elect a new President.

Since the July 2007 election (to replace half the members) in the upper house, the ruling bloc (LDP and New Komeito) has been minority, while being overwhelming majority in the lower house since the 2005 General Election. Fukuda took over Shinzo Abe as a LDP President, and became Japan’s Prime Minister on September 26, 2007.

Friday, September 28, 2007

Bat for Lashes is the doppelgänger band ego of one of the leading millennial lights in British music, Natasha Khan. Caroline Weeks, Abi Fry and Lizzy Carey comprise the aurora borealis that backs this haunting, shimmering zither and glockenspiel peacock, and the only complaint coming from the audience at the Bowery Ballroom last Tuesday was that they could not camp out all night underneath these celestial bodies.

We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O’Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. “I think Bat For Lashes are beyond a trend or fashion band,” said Jefferson Hack, publisher of Dazed & Confused magazine. “[Khan] has an ancient power…she is in part shamanic.” She describes her aesthetic as “powerful women with a cosmic edge” as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. “I love the harpsichord and the sexual ghost voices and bowed saws,” said Radiohead‘s Thom Yorke of the track Horse and I. “This song seems to come from the world of Grimm’s fairytales.”

Bat’s debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. “It was a surprise that Klaxons won,” said Khan, “but I think everyone up for the award is brilliant and would have deserved to win.”

Natasha recently spoke with David Shankbone about art, transvestism and drug use in the music business.

DS: Do you have any favorite books?

NK: [Laughs] I’m not the best about finishing books. What I usually do is I will get into a book for a period of time, and then I will dip into it and get the inspiration and transformation in my mind that I need, and then put it away and come back to it. But I have a select rotation of cool books, like Women Who Run With the Wolves by Clarissa Pinkola Estés and Little Birds by Anaïs Nin. Recently, Catching the Big Fish by David Lynch.

DS: Lynch just came out with a movie last year called Inland Empire. I interviewed John Vanderslice last night at the Bowery Ballroom and he raved about it!

NK: I haven’t seen it yet!

DS: Do you notice a difference between playing in front of British and American audiences?

NK: The U.S. audiences are much more full of expression and noises and jubilation. They are like, “Welcome to New York, Baby!” “You’re Awesome!” and stuff like that. Whereas in England they tend to be a lot more reserved. Well, the English are, but it is such a diverse culture you will get the Spanish and Italian gay guys at the front who are going crazy. I definitely think in America they are much more open and there is more excitement, which is really cool.

DS: How many instruments do you play and, please, include the glockenspiel in that number.

NK: [Laughs] I think the number is limitless, hopefully. I try my hand at anything I can contribute; I only just picked up the bass, really—

DS: –I have a great photo of you playing the bass.

NK: I don’t think I’m very good…

DS: You look cool with it!

NK: [Laughs] Fine. The glockenspiel…piano, mainly, and also the harp. Guitar, I like playing percussion and drumming. I usually speak with all my drummers so that I write my songs with them in mind, and we’ll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology I can play all kinds of sounds, double bass and stuff.

DS: Do you design your own clothes?

NK: All four of us girls love vintage shopping and charity shops. We don’t have a stylist who tells us what to wear, it’s all very much our own natural styles coming through. And for me, personally, I like to wear jewelery. On the night of the New York show that top I was wearing was made especially for me as a gift by these New York designers called Pepper + Pistol. And there’s also my boyfriend, who is an amazing musician—

DS: —that’s Will Lemon from Moon and Moon, right? There is such good buzz about them here in New York.

NK: Yes! They have an album coming out in February and it will fucking blow your mind! I think you would love it, it’s an incredible masterpiece. It’s really exciting, I’m hoping we can do a crazy double unfolding caravan show, the Bat for Lashes album and the new Moon and Moon album: that would be really theatrical and amazing! Will prints a lot of my T-shirts because he does amazing tapestries and silkscreen printing on clothes. When we play there’s a velvety kind of tapestry on the keyboard table that he made. So I wear a lot of his things, thrift store stuff, old bits of jewelry and antique pieces.

DS: You are often compared to Björk and Kate Bush; do those constant comparisons tend to bother you as an artist who is trying to define herself on her own terms?

NK: No, I mean, I guess that in the past it bothered me, but now I just feel really confident and sure that as time goes on my musical style and my writing is taking a pace of its own, and I think in time the music will speak for itself and people will see that I’m obviously doing something different. Those women are fantastic, strong, risk-taking artists—

DS: —as are you—

NK: —thank you, and that’s a great tradition to be part of, and when I look at artists like Björk and Kate Bush, I think of them as being like older sisters that have come before; they are kind of like an amazing support network that comes with me.

DS: I’d imagine it’s preferable to be considered the next Björk or Kate Bush instead of the next Britney.

NK: [Laughs] Totally! Exactly! I mean, could you imagine—oh, no I’m not going to try to offend anyone now! [Laughs] Let’s leave it there.

DS: Does music feed your artwork, or does you artwork feed your music more? Or is the relationship completely symbiotic?

NK: I think it’s pretty back-and-forth. I think when I have blocks in either of those area, I tend to emphasize the other. If I’m finding it really difficult to write something I know that I need to go investigate it in a more visual way, and I’ll start to gather images and take photographs and make notes and make collages and start looking to photographers and filmmakers to give me a more grounded sense of the place that I’m writing about, whether it’s in my imagination or in the characters. Whenever I’m writing music it’s a very visual place in my mind. It has a location full of characters and colors and landscapes, so those two things really compliment each other, and they help the other one to blossom and support the other. They are like brother and sister.

DS: When you are composing music, do you see notes and words as colors and images in your mind, and then you put those down on paper?

NK: Yes. When I’m writing songs, especially lately because I think the next album has a fairly strong concept behind it and I’m writing the songs, really imagining them, so I’m very immersed into the concept of the album and the story that is there through the album. It’s the same as when I’m playing live, I will imagine I see a forest of pine trees and sky all around me and the audience, and it really helps me. Or I’ll just imagine midnight blue and emerald green, those kind of Eighties colors, and they help me.

DS: Is it always pine trees that you see?

NK: Yes, pine trees and sky, I guess.

DS: What things in nature inspire you?

NK: I feel drained thematically if I’m in the city too long. I think that when I’m in nature—for example, I went to Big Sur last year on a road trip and just looking up and seeing dark shadows of trees and starry skies really gets me and makes me feel happy. I would sit right by the sea, and any time I have been a bit stuck I will go for a long walk along the ocean and it’s just really good to see vast horizons, I think, and epic, huge, all-encompassing visions of nature really humble you and give you a good sense of perspective and the fact that you are just a small particle of energy that is vibrating along with everything else. That really helps.

DS: Are there man-made things that inspire you?

NK: Things that are more cultural, like open air cinemas, old Peruvian flats and the Chelsea Hotel. Funny old drag queen karaoke bars…

DS: I photographed some of the famous drag queens here in New York. They are just such great creatures to photograph; they will do just about anything for the camera. I photographed a famous drag queen named Miss Understood who is the emcee at a drag queen restaurant here named Lucky Cheng’s. We were out in front of Lucky Cheng’s taking photographs and a bus was coming down First Avenue, and I said, “Go out and stop that bus!” and she did! It’s an amazing shot.

NK: Oh. My. God.

DS: If you go on her Wikipedia article it’s there.

NK: That’s so cool. I’m really getting into that whole psychedelic sixties and seventies Paris Is Burning and Jack Smith and the Destruction of Atlantis. Things like The Cockettes. There seems to be a bit of a revolution coming through that kind of psychedelic drag queen theater.

DS: There are just so few areas left where there is natural edge and art that is not contrived. It’s taking a contrived thing like changing your gender, but in the backdrop of how that is still so socially unacceptable.

NK: Yeah, the theatrics and creativity that go into that really get me. I’m thinking about The Fisher King…do you know that drag queen in The Fisher King? There’s this really bad and amazing drag queen guy in it who is so vulnerable and sensitive. He sings these amazing songs but he has this really terrible drug problem, I think, or maybe it’s a drink problem. It’s so bordering on the line between fabulous and those people you see who are so in love with the idea of beauty and elevation and the glitz and the glamor of love and beauty, but then there’s this really dark, tragic side. It’s presented together in this confusing and bewildering way, and it always just gets to me. I find it really intriguing.

DS: How are you received in the Pakistani community?

NK: [Laughs] I have absolutely no idea! You should probably ask another question, because I have no idea. I don’t have contact with that side of my family anymore.

DS: When you see artists like Pete Doherty or Amy Winehouse out on these suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and with their music?

NK: It’s difficult. The drugs thing was never important to me, it was the music and expression and the way he delivered his music, and I think there’s a strange kind of romantic delusion in the media, and the music media especially, where they are obsessed with people who have terrible drug problems. I think that’s always been the way, though, since Billie Holiday. The thing that I’m questioning now is that it seems now the celebrity angle means that the lifestyle takes over from the actual music. In the past people who had musical genius, unfortunately their personal lives came into play, but maybe that added a level of romance, which I think is pretty uncool, but, whatever. I think that as long as the lifestyle doesn’t precede the talent and the music, that’s okay, but it always feels uncomfortable for me when people’s music goes really far and if you took away the hysteria and propaganda of it, would the music still stand up? That’s my question. Just for me, I’m just glad I don’t do heavy drugs and I don’t have that kind of problem, thank God. I feel that’s a responsibility you have, to present that there’s a power in integrity and strength and in the lifestyle that comes from self-love and assuredness and positivity. I think there’s a real big place for that, but it doesn’t really get as much of that “Rock n’ Roll” play or whatever.

DS: Is it difficult to come to the United States to play considering all the wars we start?

NK: As an English person I feel equally as responsible for that kind of shit. I think it is a collective consciousness that allows violence and those kinds of things to continue, and I think that our governments should be ashamed of themselves. But at the same time, it’s a responsibility of all of our countries, no matter where you are in the world to promote a peaceful lifestyle and not to consciously allow these conflicts to continue. At the same time, I find it difficult to judge because I think that the world is full of shades of light and dark, from spectrums of pure light and pure darkness, and that’s the way human nature and nature itself has always been. It’s difficult, but it’s just a process, and it’s the big creature that’s the world; humankind is a big creature that is learning all the time. And we have to go through these processes of learning to see what is right.

Wednesday, June 29, 2005

São Paulo, Brazil — Several witnesses are denouncing the government of President Luiz Inácio Lula da Silva and the ruling Workers’ Party (PT). Below are some of the main denunciations and witnesses.

In May, the Brazilian deputy Roberto Jefferson was involved in an alleged corruption scheme that involved the Brazilian Postal Service. Jefferson said that he was unfairly being abandoned and sacrificed. In addition he said that he would not take the fall alone.

On June 6, Roberto Jefferson told the Brazilian newspaper Folha de São Paulo that the rulingWorkers’ Party (PT) has been paying Brazilian deputies 30 thousand Brazilian Reais (USD 12 thousand) each, every month, in return for support. Jefferson later confirmed to a Congressional special commission what he had previously stated to the newspaper. Also he added that he had informed the Minister José Dirceu about the payments and that no action was taken. Dirceu denied Jefferson’s allegations.

According to Jefferson the payments only stopped after he informed the President Luiz Inácio Lula da Silva. He also said that the Minister José Dirceu should leave the government, otherwise President Lula would get involved. Two days later, the Minister José Dirceu announced his resignation from his post.

Jefferson denied involvement in the Brazilian Postal Service scandal. Jefferson told the commission that the Brazilian Agency of Intelligence (Abin) was controlled by the former Brazilian Minister of Civil Affairs José Dirceu and it recorded the tape which shows the former Brazilian Postal Service Chief Maurício Marinho during a supposed bribery negotiation with a businessman.

However Jefferson admitted that he received R$ 4 million from the Workers’ Party (PT). According to Jefferson, during a meeting with him and the PTB treasurer Émerson Palmieri, the Workers’ Party treasurer Delúbio Soares and the Workers’ Party President José Genoíno, they decided that PTB should received R$ 20 million. Jefferson said he received only R$ 4 million and the money was delivered by the businessman Marcos Valério Fernandes de Souza, owner of publicity enterprises.

On June 14, Fernanda Karina Ramos Somaggio denounced his former boss Marcos Valério and told the Brazilian magazine “IstoÉ – Dinheiro” that she saw suitcases full of money leaving the enterprise during the time she worked for him as secretary (IstoÉ article). Also she said that Marcos Valério encountered Workers’ Party members several times, including Delúbio Soares. On June 15, the secretary denied everything what she said to “IstoÉ – Dinheiro” to police. However, on June 20, Karina Somaggio said that she lied to the police because she and her family were threatened. In a new testimony to the Brazilian police, Karina Somaggio confirmed the interview to the magazine and the accusations against her former boss, Marcos Valério. Karina Somaggio is now under police protection.

Marcos Valério denied the allegations of Karina Somaggio. He has initiated court proceedings against his former secretary.

Some days later the magazine “IstoÉ” revealed documents from the Council for Control of Financial Activities (Coaf). According to the documents around R$ 20.9 millions left SMP&B and DNA enterprises, which belong to Marcos Valério (IstoÉ article). The Coaf is a Brazilian public agency which monitors irregular financial activities. The enterprises of Marcos Valério have millionaire contracts with the Brazilian government.

On June 21 and 22, parliamentarians listened to the former Brazilian Postal Service Chief Maurício Marinho, accused of involvement in the Brazilian Postal Service scandal. At first Marinho refused talking about any illegality in the Brazilian Postal Service. However, on June 22, after his lawyers admitted that he was not telling the whole truth and that they would leave him, Marinho demanded protection for himself and his family, then started to talk. He said the Workers’ Party general-secretary Sílvio Pereira and the Minister Luiz Gushiken had some influence in the Brazilian Postal Service. He said that the biggest Brazilian Postal Service contracts should be investigated and he mentioned big contracts to the Brazilian bank Bradesco.

Wednesday, April 22, 2009

Today is the 39th observance of Earth Day in the northern hemisphere. Earth day is celebrated in Autumn on November 30 in the southern hemisphere. Senator Gaylord Nelson initiated the first Earth Day in April 1970 in the United States, and it is now celebrated by over 1 billion people in over 170 countries worldwide. Earth Day is the biggest environmental event which addresses issues and educates people on environmental awareness on a global scale.

This year, National Aeronautics and Space Administration (NASA) will beam high-definition images to the NASA website and television. By doing so, NASA hopes to increase appreciation of global climate issues. There will also be a Washington exhibit relating to environmental issues viewed from space as well.

At the NASA Marshall Space Flight Center activities will focus on their slogan for Earth Day 2009, “Just One Drop … PRICELESS” and will demonstrate how the Environmental Control Life Support System operates as used on the International Space Staton (ISS).

Amongst the many festivals, WorldFest is a solar powered music celebration held in Los Angeles, California. Buenos Aires will also feature its second Earth Day event featuring a music festival as well.

“We are in a new era of energy innovation,” said Daniel Yergin at a Massachusetts Institute of Technology (MIT) forum. Lithium-ion batteries are providing electric storage solutions for electric cars such as the Chevrolet Volt and the Dodge Circuit EV. Algae fuel is a new form of biofuel, but is still under development.

“Energy Smackdown” was a competitive household activity which compared energy usage between 60 separate households across three cities in or near Boston. The various competitors came up with a variety of innovative methods to cut their carbon footprint, installing solar electric panels, geothermal heat pumps, wind turbines, and using a caulking gun to seal the home from drafts.

“In the average home, 75 percent of the electricity used to power home electronics is consumed while the products are turned off.” is a United States Department of Energy (DOE) estimate.

Miami is installing a smart grid which will use individual household smart meters to allow energy consumers know via a web site, their exact home energy usage. “To me these are prudent and smart investments that will easily pay for themselves. It will show the nation how to address environmental, energy, and economic challenges all at the same time.” said Miami mayor Manny Diaz.

Cal Dooley, CEO of the American Chemistry Council ACC, says the plastic bag industry is prepared to spend US$50 million to revamp their manufacturing facilities and will collect 470 million pounds of recycled plastic every year to make plastic bags of 40% recycled content. The ACC is providing a donation to the Keep America Beautiful environmental organisation, both of whom endorse this new project. The Earth Day Network (EDN) and Natural Resources Defense Council (NRDC) would like to see an end to the use of plastic bags, however. “We don’t want people to use disposable bags. We want people to use reusable bags,” says Darby Hoover of the NRDC.

Calgary researchers will begin field surveys to help save the “Northern Leopard Frog (Rana Pipiens). “Northern Leopard Frogs are threatened in Alberta, but endangered in British Columbia,” said Dr. Des Smith, Primary Investigator and Research Scientist with the Calgary Zoo’s Centre for Conservation Research. “It is essential to develop new monitoring techniques for Northern Leopard” said Breana McKnight, Field Team Leader and Endangered Species Researcher.

The traditional Earth day ceremony of planting trees is garnering further attention in Japan as Koichi Nakatani, the nation’s Tree Planting Father travels from Hokkaido to Okinawa.

Students can take part in an Earth Day photo contest sponsored by the Institute for Global Environmental Strategies which will feature images and scientific student research for the environmental change depicted in each photo submitted.

“Earth Day should be about teaching about the environment every day,” said Sean Mille director of education for EDN, “We emphasize taking action for your classroom, school, district or community.” 25,000 schools across America made use of the environmental curriculum developed by the National Civic Education Project, the Green Schools Campaign and the Educator’s Network. Lesson plans are broad and varied and may focus on water pollution, recycling, composting, using chemistry to convert cafeteria left-overs into biodiesel or ethanol fuel or converting go-carts to operate on biodiesel or ethanol fuels in shop class.

Saturday, May 27, 2017

On Friday, Zbigniew Brzezinski, a professor and former U.S. National Security Advisor of the Jimmy Carter administration, died at the age of 89.

The New York Times reported he died at a Falls Church, Virginia hospital.

Brzezinski’s daughter Mika announced her father’s death via Instagram. Others paid tribute to Brzezinski, including Joe Scarborough, Mika’s co-host of MSNBC’s Morning Joe, via Twitter and former U.S. president Jimmy Carter via statement.

Brzezinski was born on March 28, 1928 in Warsaw, Poland. His father Tadeusz, a diplomat, moved his family from Europe to Montreal, Canada in 1938 before World War II. Tadeusz retired from politics in 1944 when the Communists occupied his home country, so his family settled in the Canadian countryside.

Zbigniew Brzezinski earned two degrees from Canada’s McGill University and then, in the United States, earned a doctorate from Harvard University. He began his teaching career at Harvard and then Columbia University.

Throughout 1960s, Brzezinski worked for John F. Kennedy as his advisor and then the Lyndon B. Johnson administration. During the 1976 selections he advised Carter on foreign policy, then served as National Security Advisor (NSA) from 1977 to 1981, succeeding Henry Kissinger. As NSA, he assisted Carter in diplomatically handling world affairs, such as the Camp David Accords, 1978; normalizing US–China relations thought the late 1970s; the Iranian Revolution, which led to the Iran hostage crisis, 1979; and the Soviet invasion in Afghanistan, 1979.

For his role in politics, Brzezinski earned the Presidential Medal of Freedom in 1981 and later the U.S. Department of Defense Medal for Distinguished Public Service in 2016. He has lately taught international studies at the Johns Hopkins University and worked as a counselor for the Center for Strategic and International Studies.

Brzezinski wrote multiple books and some articles, including several from the 1950s.

Brzezinski was survived by his wife Eileen and his three children: daughter Mika and sons Ian and Mark.